very interesting reads, please read them in their entirety. will post 2 articles..
if mods feel this is in the wrong forum, please move it to teh correct one 
thanks.
‘Contagion’ or How Disaster Movies “Educate” the Masses
Hollywood movies are usually presented as a form of entertainment, but their plots often conceal a specific agenda. “Disaster movies”, films about the end of the world through various mass crises, are particularly interesting as they all follow the same basic formula and glorify the same entities. In this article, we’ll look at the disaster movie ‘Contagion’ and how it “teaches” its viewers who to trust and who not to trust during a crisis.
Most people watch movies to be entertained. Well, I for one can say that there was absolutely nothing entertaining about Contagion. In fact, the only difference between this movie and state-sponsored educational movies shown in schools is that with Contagion you actually have to pay to be indoctrinated … and to see Matt Damon. During the cold war, students were shown videos instructing them to “Duck and Cover” in case of a nuclear attack. Contagion conditions the masses to expect martial law and to throw themselves at the first available vaccine in case of a crisis.
Featuring Hollywood mega-stars like Matt Damon, Laurence Fishburne, Jude Law and Gwyneth Paltrow, Contagion is a big-ticket Hollywood movie, but also an infomercial promoting specific national and international agencies while encouraging specific behaviors from the public. The plot of the movie appears to follow the big H1N1 scare of 2009 that left many citizens uncertain about the actual risk of the virus. Indeed, after months of terrifying news crowned by a massive vaccination campaign, an important portion of the population concluded that the H1N1 scare was grossly exaggerated and and thought that a vaccine was unnecessary.
This poll taken in November 2009 shows that 53% Canadians believed that the risks associated with the H1N1 virus were exaggerated.
In the wake of this “crisis”, the UN’s World Health Organization (known as the WHO) was harshly criticized and even accused of colluding with Big Pharma to sell vaccines. The U.S. Centers for Disease Control and Prevention (the CDC) also had its credibility tarnished as investigations revealed that the agency misled the public regarding the number of actual cases of H1N1 (for example, see this report from CBS News). As a result, these two agencies needed a good PR stunt to restore their credibility and to scare the hell out of the public. This is where Contagion comes in.
Directed by Steven Soderbergh, Contagion was produced with the active cooperation of the CDC, the WHO and other governmental organizations and its function is clear: To present a hyper-realistic disaster scenario to justify the vaccination campaigns promoted by these agencies while discrediting those who criticize them.
Nothing in the movie hints that it is a work of fiction. Quite to the contrary, everything in Contagion is made to be as realistic as possible, using actual locations and governmental agencies, to make the story as plausible – and as frightening to the masses – as possible. As the slogan of the movie says: “Nothing spreads like fear” and, boy, does it try to spread fear. This movie’s message is: “Nothing was exaggerated, and next time there’s a virus outbreak, listen to us … or you’ll die”.
The Function of Disaster Movies
Disaster movies are often action-packed thrill rides that venture in the sometimes fascinating “what if that happened” side of things. While some are very over-the-top and border on fantasy, others, like Contagion, emphasize realism and actual events. These movies tend to “hit home” with the viewers because they lead them to think “this could happen to me”. Disaster movies exploit the latent fear that recent events caused on the psyche on the masses, tapping into the anxiety and trauma they cause in order to create tension and terror in the viewers. Then, the “agenda” aspect of these movies kick in as they propose to the viewers the best (and only) way these issues can be resolved. Specific groups and agencies are cast as honorable, helpful and trustworthy during the time of crisis, while others are portrayed as hindrances and even traitors. The drama that follows becomes a case of predictive programming, as the steps taken in the movie to resolve the problem will thereafter appear normal to the masses if they ever occur in real life.
In his book Propagandes Silencieuses (Silent Propaganda), the journalist and writer Ignacio Ramonet describes the always present underlying message found in disaster movies:“In all cases, the disaster causes a kind of ‘state of emergency’ that hands all powers and modes of transportation to state authorities: the police, the army or “the crew”. Portrayed as the ultimate recourse, these institutions are the only ones capable of facing the dangers, the disorder and the decay threatening society thanks to their structure and technical knowledge. (…) As if it was impossible to present to the general public a disaster that is not resolved by state authorities and governmental powers.”
- Ignacio Ramonet, “Propagandes Silencieuses” (free translation)
Along with the all-importance of authorities, the masses are inevitably presented as a herd of idiots prone to panic that must be kept in the dark.“Another constant found in disaster movies is the infantilization of civilians. The full amplitude of the catastrophe and the danger the masses are facing is often hidden from them. They are kept out of any decision making process, with the exception of managers and technical specialists (engineers, architects, entrepreneurs) who are sometimes called to intervene in the crises, but always through state authorities.
The general public is often distracted with pointless entertainment and encouraged to obey without question to a ‘paternal and benevolent’ elite that is doing everything (to the point of self-sacrifice) to protect them.
These aspects, along with others, prove that disaster movies, beyond their entertaining value, also present a ‘political response’ to a crisis. Behind a naive mode of fantastic storytelling, a silent message is communicated to the public: the ruler’s profound desire to see entities such as the army, the police or ‘prominent men’ take charge of the restoration and the rebuilding of a society in crisis, even if this means partially sacrificing democracy”.
- Ibid.
Contagion follows Ramonet’s blueprint of disaster movies to a tee. Right from the start, specific organizations are identified as the go-to guys and are automatically given the power to act on a massive scale, namely FEMA, the WHO, the American Red Cross and the CDC.
So what solution does Contagion propose in case of the outbreak of deadly disease? Martial law and mass vaccinations. What will happen if ever an actual disease would break out? Martial law and mass vaccinations. Would the masses questions this type of drastic response to a crisis which might or might not be necessary? No, because hundreds of hours of media content have prepared the masses for this kind of situation. Let’s look at the main components and messages found in Contagion.
Fear Spreads Faster Than Germs
The movie starts by showing how a few sick people, who go about their daily routine, can easily contaminate thousands of people. The point of the introduction is simple: A deadly virus can spread around the world in a matter of days. This realistic yet terrifying scenario is a very effective way to grip the audience and to cause a state of fear. During these scenes, the camera focuses for a few extra seconds on common objects that can transmit germs such as drinking glasses, just long enough for the viewer to realize: “Hey, I sometimes touch these things! That could be me! Aaaah!”
This sick guy could infect the entire bus. To add to the drama and scare factor, they name big cities and their population.
Beware of glasses of water being handed to you...
Not even a mother's hug is safe.
Most of those who are infected with the virus do not live long. In a series of heartbreaking scenes, one of the main characters, Mitch Emhoff (played by Matt Damon), sees his wife and his son lose their lives to the virus. Viewers watching this tragedy play out are led to think “Hey, that’s the most terrible thing could happen to me! AAaaah!”
Watching Beth Emhoff (played by Gwyneth Paltrow) die from the virus is quite disturbing and certainly helps create a climate of fear.
This movie was released only a two years after the outbreak of H1N1 and the media hype that surrounded it, so that fear is still latent in many people. These scenes from Contagion reactivates the “fear virus” that was planted in people … and adds some. After a few minutes of panic-inducing scenes, most viewers will say “Oh my God, someone do something about this virus! This guy lost his wife and child, that’s awful! AAArgh!”. Heroes do step up to the plate and take charge of things … and it just so happens that they were involved in the making of the movie.
The Organizations That Take Charge
In Contagion, as soon as the virus becomes a threat, the entire American government escapes to an “undisclosed location” and “looks for a way of working online”. Meanwhile, specific real-life non-government organizations (NGOs) are identified by the movie as the “heroes” and the go-to people to handle the crisis. These organizations are promoted to the viewers and are given automatic legitimacy and trustworthiness. However, those who are educated about the world elite’s agenda for a New World Order know that these organizations have been know to push that agenda and everything that goes with it. In short, the movie says: “If a crisis like this happens, the government will disappear, democracy will be suspended and NGOs will take over”.
The agencies identified by the movie are:
The CDC (Center for Disease Control), which has always heavily promoted vaccinations campaigns.
The World Health Organization (WHO) - which was accused, in the wake of the H1N1, of spreading "fear and confusion rather than immediate information". In the movie however, the WHO is an important factor in the resolution of the problem.
FEMA (Federal Emergency Management Agency) and the American Red Cross manage the civilians. Contagion, shows viewers how emergency situations could quickly lead to martial law, which would automatically lead to the creation of civilian camps ran by FEMA, who needed some good PR after Hurricane Katrina.
Of course, the U.S. army is all over the place since martial law is defined as the "imposition of military rule by military authorities over designated regions on an emergency basis".
So, in the wake of a “biological crisis”, the democratically elected American government basically dissolves and specific organizations (CDC, WHO, FEMA, the U.S. Army) take charge of all aspects of society. And this “taking charge” proceeds in a very specific way: Martial law and civilian camps.
Martial Law
In Contagion, the deadly virus is called MEV-1 and the social result of the outbreak is portrayed in a specific way. First, the general population, always depicted as idiotic, cattle-like and prone to violence, spirals out of control. The masses are always shown panicking, yelling, stealing, fighting and looting. This leads to a general breakdown of social order and a state of lawlessness.
A bunch of rude people looting a pharmacy to obtain medication.
Wherever regular people are put together, all sort of crap ensues. This goes along with the concept of “infantilization” of the masses, who require to be taken charge by “fatherly” authorities. And boy do the authorities take over.
The US Army imposes Martial Law and places the State of Minnesota in quarantine, blocking all traffic out of the state. Those who seek to leave the state are told to turn around and go back home.
Citizens are then directed to FEMA camps.
This stadium has been turned into a FEMA camp.
Civilians (even healthy ones) have their rights revoked and are directed to FEMA camps where they are fed and lodged. In this scene, the lack of "individual meals" to feed all of the camp's population causes a small riot.
The Conspiracy Theorist
If specific groups and organizations are identified by the movie as “competent” and “trustworthy”, other groups get a very different treatment, namely alternative media. Personified by a blogger named Alan Krumwiede (played by Jude Law), alternative media are presented as unreliable sources bent on sensationalism and profit. In other words, the movie implies that information that does not come from “official” sources is invalid and potentially dangerous. Not exactly a pro-free-speech message.
"Truth Serum", a blog run by Alan Krumwiede, resembles the many "alternative news" website around the web. This type of information, which does not come from mass media or governmental sources, is definitely not portrayed in a positive light.
Right from the start, Alan Krumwiede is portrayed as a somewhat dodgy blogger with a questionable work ethic and who does not get much respect from the journalistic nor the scientific community. When he tries to get one of his stories published in a newspaper called The Chronicle, he gets rejected due to lack of evidence behind his story. When he contacts a scientist regarding the virus, the scientist replies: “Blogging is not writing, it’s graffiti with punctuation”.
Despite this lack of respect from “competent” bodies, Alan Krumwiede has a wide audience and proudly boasts “millions of unique visitors per day” on his website. On it, he claims that a cure for the MEV-1 virus exists and is named Forsythia but it is repressed by the powers that be to sell vaccines. He also urges his readers not to take the vaccine that is given out by authorities.
The government apparently does not tolerate this kind of dissent. Krumwiede gets set up by an undercover agent to get him arrested. When he discovers the ploy against him the agent tells Krumwiede: “Alan, I didn’t have a choice, they’ve seen your blog”. Government agents then appear out of nowhere and arrest Krumwiede for “security fraud, conspiracy and most likely man slaughter”.
Krumwiede is arrested due to the contents of his blog. Contagion sends out a powerful message against "alternative" information sources: Diverging from "official sources" is dangerous and against the law.
It is later learned that Forsythia was a lie and that Krumwiede made 4.5 million dollars by promoting it to his readers. The chief of Homeland Security wants to put him in jail for a “long, long time”. However, due to his popularity, Krumwiede makes bail because, as the chief of Homeland Security states: “Evidently, there are 12 million people as crazy as you are”.
The character of Alan Krumwiede and the way he is portrayed is interesting for several reasons. First, he reflects the growing influence of blogs and alternative websites on public opinion – a recent phenomena that does not sit well with the elite that seeks to have the monopoly of information. By depicting this character as dishonest, corrupt and even dangerous to the public, the movie justifies the shunning of such writers and even their arrest. Nobody in the movie seems to mind that all of this is in direct violation of the First Amendment.
Second, when the H1N1 vaccine was released in 2009 and mass vaccination campaigns were organized, many citizens and authoritative figures including public health officials, doctors and specialists spoke against it. They claimed that the vaccine was unnecessary, insufficiently tested and that it had negative side-effects. By associating the corrupt figure of Alan Krumwiede with the “anti-vaccine movement”, the movie discredits all of those who question the necessity of mass vaccination campaigns. If another virus should strike, viewers of Contagion might be more prone to ignore these movements. In other words, the movie says: “Conspiracy theorists are corrupt liars that are dangerous to public safety and they should be arrested. Do not listen to them. They make money off phony cures. HOWEVER, those who make even more money off phony vaccines are good. Listen to authorities and get the vaccine … or you’ll die.”
The Ultimate Solution
After months of horror and hundreds of millions of deaths, a final solution emerges and saves humanity: Mass vaccination.
The only solution to do virus problem? A mass vaccination campaign.
Those who receive the vaccine get the privilege of wearing a scannable wristband. This allows them to go to public places such as shopping malls.
You get vaccinated, you get a barcode and go places. You don't get vaccinated, you stay at home ... and you die.
In Conclusion
Contagion may be presented as a work of fiction, but it communicates several important messages that authorities need the public to accept. To do so, the movie defines a specific problem that has actually occurred in the past, it identifies the agencies that have the right to take charge of the situation and proposes the only solution required to fix the problem. That solution is not pretty: The dissolution of the government, the imposition of martial law, the creation of civilian camps, forced vaccination campaigns and the suppression of free speech. Democracy and civil rights are summarily suspended and we witness the establishment of a highly controlled and monitored society (using barcodes).
Are disaster movies such as Contagion solely created for entertainment or are they also used to teach the public about what is acceptable and what is not when a disaster occurs? Would the World Health Organization participate in a movie simply to entertain people? Interesting fact: The movie was released on DVD at the same time the WHO got accused of exaggerating the death rate of the new H5N1 bird flu. The WHO has also recently allowed the publication of controversial research describing the creation of a mutant and highly contagious version of the virus. Could a weaponized version of the virus be purposely released on the public to justify martial law? Wait, maybe I shouldn’t say things like that. I don’t want to get arrested for “security fraud, conspiracy and most likely man slaughter”.
http://vigilantcitizen.com/moviesand...te-the-masses/
i kinda liked this next movie, even tho it was based on a fallacy, which is the mayans predicted the end of the world ( their calenders have dates way in the future, not to mention, they mention nothing of the end of teh world, they do the opposite, the beginning of a new world, which western minds cant fathom, unless the old one is destroyed.. so hence the b/s rhetoric.)
The Hidden Symbolic Meaning of the Movie “2012″
The disaster movie “2012″ is about the near-total destruction of planet Earth in accordance with predictions made by Ancient Mayans, thousands of years ago. While most of the movie is centered around spectacular explosions and impressive special effects, “2012″ also communicates messages and symbolism about the elite’s plans for a New World and the coming of the Age of Aquarius.
Warning: Major spoilers ahead
Released in 2009, Roland Emmerich’s film 2012 plays on the fears and panic engendered by the “OMG-the-Mayans-said-we’re-gonna-die-in-2012″ scare. The movie’s apocalyptic scenario depicts in vivid detail people’s worst fears regarding 2012: The destruction of everything and the killing of everyone … well, almost everyone. While a good portion of the two-and-a-half hour movie is dedicated to CGI destruction, 2012 contains many Biblical, mythological and historical references that gives the story a deeper underlying meaning. Furthermore, a specific message can be understood by the way the crisis has been handled in the movie. It basically says: “If something happens, the rich and powerful will live and the rest of you suckers will die”.
In the article entitled ‘Contagion’ or How Disaster Movies “Educate” the Masses, we discussed how disaster movies are an important indoctrination tool that present and sell specific “political responses” to major crises. In 2012, the political response to the mega-cataclysm that is threatening Earth is rather unsettling: The world elite learns about 2012 a few years in advance, secretly plans its own rescue mission (while keeping the masses in the dark) and leaves the world to die while creating a new world that is only populated by the elite. A few “regular” people do manage to infiltrate the elite’s ships. Apparently their survival, along with the world’s rich and powerful, constitutes a happy ending.
When I first finished watching the movie, I wasn’t exactly feeling happy having just paid a few bucks to basically watch a flick that predicts my death and the death of everyone I know while the elite embark on giant ships to start a new world by themselves. It’s a little insulting.
Does the movie accurately predict what will happen on December 23rd, 2012? Probably (hopefully) not, but I do believe that the movie uses the 2012 scare tactic to communicate specific messages to the masses about the elite’s plans for a New World Order and the coming of the Age of Aquarius. Let’s look at the movie’s most symbolic scenes.
The Preparations
The movie takes place in 2009 and begins with a cosmic event that triggers the cataclysm: A planetary alignment.
The alignment of astronomical bodies causes a series of events that lead to the destruction of Earth. On an esoteric level, the alignment of astral bodies is representative of the dawning of a new era - what some may call the Age of Aquarius.
On Earth, a few scientists discover that massive solar flares are causing the planet’s core temperature to rise. Adrian Helmsley, an American geologist, realizes that the end of the world is rapidly approaching. He rushes to Washington D.C. to inform the highest level of power that action must be taken, but it turns out that the world’s ruling elite is not only well-aware of the coming disaster, but have been secretly working on a rescue plan for years. The elite are taking steps to preserve the lives of those that are deemed “worthy” and collecting the Earth’s most important artifacts to bring to the new world.
In this scene, the Mona Lisa at the Louvre is fake. The real painting will be brought into "post-apocalypse" world.
The only people that know about the 2012 rescue plan are the world’s most powerful people. Tickets were also sold to private individuals. The price? 1 billion Euros … per person. In other words, there is no way that a regular person would survive. And that’s all part of the plan.
Meanwhile, as usual, the masses are portrayed as a herd of idiots, prone to panic and violence.
As it is the case in most disaster movies, the masses are portrayed as a "bewildered herd" that cannot act civilized. While the elite is planning its secret escape from the 2012 cataclysm, the masses are shown rioting during a G8 Meeting. Seeing how people are portrayed to act in times of crisis, one might be inclined to think: Maybe the elite is doing the right thing by hiding the truth from the masses ...
This massive conspiracy against the public is not an airtight secret. Some prominent figures discover the ugly truth and attempt to warn the public, but they are rapidly silenced.
When the director of the Louvre discovered the elite's plans, he called a press conference to disclose the truth to the entire world. He then dies in a "mysterious" car accident, right before he makes his announcement.
There are interesting facts about the above car “accident” that killed the French museum director. First, it is clearly stated in the movie that the accident occurs in the Pont d’Alma tunnel … the same tunnel where Princess Diana lost her life in a odd car accident. In my article Princess Diana’s Death and Memorial: The Occult Meaning, I’ve explained the symbolic meaning of the Pont d’Alma tunnel and how the death of Lady Di had all of the markings of a ritual sacrifice. The death of the Museum director at the exact same spot might be the movie’s way of saying that his death was a ritual sacrifice by the elite. The movie might also be indirectly saying: “If the death of the Museum Director inside the Pont D’Alma tunnel was a murder disguised as an accident, what do you think happened to Lady Di?”.
It is later discovered that the museum director is not the only whistle-blower that has “mysteriously” lost his life. Many other people who had the public’s well-being in mind also died in strange circumstances during the elite’s secret preparations.
A conspiracy theorist dedicated an entire wall to news clippings of people who got killed by the elite.
All of the elite’s decision-making is done in secret and secluded meetings and involving only the world’s most powerful people.
Meanwhile, the public is restless, to the point that the London Olympics are suspended. Is the movie predicting events to come?
While all of this is happening, the Chinese government has been put in charge of building the gigantic boats named “Arks” that would allow the elite to survive 2012.
Farewell Atlantis
The hero of the movie is Jackson Curtis, a regular divorced father, that discovers the truth and attempts to embark on one of the Arks in order to survive 2012.
Jackson Curtis and his kids are told by the US Army that they must leave the national park. They are not told why because the public is not allowed to know about the upcoming 2012 disaster.
Jackson Curtis is a not-too-successful writer of a book entitled Farewell Atlantis, which is very symbolic in the movie’s context. Atlantis is the name of a fabled continent that got submerged by a massive flood several millenia ago. Legend holds that the highly advanced civilization that flourished on that continent disappeared, but some survivors of Atlantis managed to sail to places like Egypt, America and Asia, where they became great teachers to the natives. Atlantis is of a great importance in the occult elite’s Mysteries as it is believed that the continent actually existed and was the origin of the world’s occult knowledge. Atlanteans who sailed to far-away lands in order escape the Great Flood are considered the teachers of esoteric knowledge to the Ancient Egyptians, Mayans and possibly even the Celts. Mystery schools often state that the Biblical story of the Great Flood is, in fact, the story of the disappearance of Atlantis. They also claim that many other ancient cultures have similar stories within their folklore.
Today’s secret societies perceive and refer to America as the “New Atlantis”, a country that was founded on the principles of Freemasonry and Rosicrucianism, the supposed descendants of Atlantean Mysteries.
Francis Bacon's 1605 book "New Atlantis" describes an ideal society where science and reason would rule, according the principles of Freemasonry and Rosicrucianism. The book is said to be the blueprint of the founding of America. Bacon is known for writing "Knowledge is Power", a famous phrases that has deep resonance in Rosicrucianism and that is prominently featured in the US Library of Congress.
While Sir Francis Bacon’s New Atlantis appeared to be foreshadowing the founding of America, Jackson Curtis’ novel Farewell Atlantis appears to be foreshadowing its destruction. The same way Atlantis was completely submerged by water, America, the home base today’s occult elite, will suffer a similar fate. The lucky few that will embark in a modern version of Noah’s Ark will be given the task to found a New World – and the movie subtly states which institutions will carry on and which will disappear.
The Disaster
As the film progresses, the Earth begins to heat up and fissures start to appear in Los Angeles. Although it is obvious that a major disaster is about to happen, mass media (which is in collusion with the elite, in the movie and in real life) downplays everything in order to keep the population calm and oblivious to the fact that the world is ending. The only non-elite guy that appears to know what’s going on is a nut-job conspiracy theorist living in the woods (apparently, according to Hollywood movies, truth seekers cannot be level-headed, rational people).
Charlie Frost is a near batcrap crazy conspiracy theorist that hosts a radio show and that runs a not-so-great-looking website. He actually knows the truth and he is right about everything, yet, in the end, he is still depicted as a complete nutjob. Knowing the truth is not "cool" in Hollywood movies.
Charlie Frost describes everything that is about to happen to Jackson Curtis and even provides him a map to the Arks.
The map to the Arks are conveniently placed in Charlie Frost's "conspiracy files", right next to his documents on Marilyn Monroe. A little wink to the ultimate mind-controlled Presidential slave?
As the world is crumbling apart, members of the elite receive an important and top-secret message on their mobile phones.
When things get serious, members of the elite are notified that it is time to embark on the Arks and to leave the rest of the world to die.
When hell breaks loose on Earth, several important monuments are shown being destroyed. These scenes are not only spectacular to watch but they also represent the fall of important institutions as the world enters the Age of Aquarius. In one scene, the famous Brazilian monument “Christ the Redeemer” is shown falling down in a matter similar to the way statues of Saddam Hussein fell after the Gulf War.
Does this symbolize the fall of Christianity in the wake of a new era?
In another scene, St. Peter’s Basilica in the Vatican, the “epicenter” of Catholic faith, is shown crashing down on faithfuls and killing thousands of people who assembled to pray.
In this symbolic scene, a crack appears on Michelangelo's iconic painting in the Sistine Chapel, right between the fingers of God and Adam - which can represent the break of the connection between humanity and the divine. Is the elite's New World devoid of the touch of God?
Other religions are also shown being destroyed during the movie. According to an article in The Guardian, 2012 was supposed to contain a scene depicting the destruction of the Kabaa, the holiest site of the Muslim faith. However, the scene was axed for fear of backlash from Islamic groups. The elite’s new world, is therefore not only devoid of Christianity, but of all major religions – one of the goals of the New World Order.
2012 does not only show the destruction of religious monuments, but also of political landmarks. These scenes symbolize the fall of regular nation states before the formation of a single world government.
The White House, symbol of US power, is shown being hit by one of its own war ships and taken away by a gigantic wave. In the elite's new world, it is not about National powers and military might: It is about a single world government and a single military.
The American President addressing the Nation for the last time. The "leader of the free world" symbolically stays in Washington D.C. to die with regular people. In other words, the (supposedly) democratically elected representative of the people has no place in the elite's new world government.
The Noah’s Ark of the Elite
Several of these gigantic Arks were secretly built in China.
While most of the world’s population is getting killed by floods and earthquakes, the “chosen ones” are taken to China to embark in gigantic Arks.
In this clear allusion to the Biblical story of Noah's Ark, animals are shown carried to the ships by helicopter.
Entry to those Arks is far from fair and is reserved for those that are “one of them”. For example, the Indian scientist that discovered the coming of the 2012 cataclysm is left to die, while greedy Russian billionaires are granted access.
Of course, as a member of the world's occult elite, the Queen of England and her dogs are granted access to the ships. Because her hat-wearing skills will be very useful to humanity in the future.
A bunch of pointless “suspenseful” scenes happen as Jackson Curtis and his family attempt to illegally enter one of them. Seeing how many people were left to die, the scientist Adrian Helmsley makes a unavoidable speech about how us humans must stick together and whatnot. However, we don’t see him giving up his place for anyone and everyone still dies … except for the elite. So, despite the moralizing monologues about caring for each other, the elite’s plan carries on right on schedule and only those that were chosen to survive do.
After the disaster, humanity enters a new era and resets its calendar to year 0001. The previous calendar was based on the birth of Jesus Christ - which is esoterically associated with the Age of Pisces. The resetting of the calendar signifies that Christ's era is over. It is the beginning of the Age of Aquarius.
At the end of the movie, the entire world is completely submerged by water, except for the African Continent. The Arks set sail to the cradle of Civilization to start anew in a place symbolically called “Cape Hope”. Is this a happy ending? Depends if you’re in the elite or part of the 99% of the rest of the world that died.
The Age of Aquarius
Esoteric schools teach that a “Great Solar Year” is the period of time during which the sun cycles through all of the zodiacal constellations, lasting about 25,000 years. Every 2,000 years (more or less) the sun enters a new zodiacal constellation and humanity, somewhat unconsciously, adopts symbolism that relates to that zodiacal sign. For nearly the past 2,000 years the sun was in the constellation of Pisces (represented by Two Fishes), meaning that we are in the Piscean Age. Oddly enough, Christianity has always been represented by the symbol of a fish (i.e. the Jesus Fish). Every 2,000 years, the sun migrates to the previous sign of the zodiac, which means that the world is set to enter to Age of Aquarius.
By showing the fall of Christian symbols and the emerging of a new world after a massive flood, the movie 2012 appears to be announcing the coming of the Aquarian Age.
The astrological sign of Aquarius consists of a cup-bearer pouring water. In Greek mythology, the cup-bearer is said to be the cause of the Great Flood that probably caused the disappearance of Atlantis.
Since the symbol of the sign of Aquarius is a man pouring water and is methodologically associated with the legendary Great Flood, it is rather appropriate to depict the coming of the Aquarian Age with a flood that submerges New Atlantis, aka America.
In Conclusion
While 2012 is often described as a big orgy of explosions and special effects, the movie nevertheless contains a great deal of messages and symbolic moments. Its references to historical, Biblical, mythological and esoteric concepts give the movie a deeper meaning, one that fits with the world view of today’s occult elite. While the world will probably not crash and burn on December 23rd 2012, the movie uses the scare relating to the Mayan Calendar to communicate its plans for the future: The fall of religions, dissolution of Nations and the glorification of a select elite on the backs of the clueless masses. Everything that happens in the movie is remarkably on-par with “ten commandments” found on the Georgia Guidestones (see the article Sinister Sites – The Georgia Guidestones). Here are some of them: “Maintain humanity under 500,000,000 in perpetual balance with nature”, “Unite humanity with a living new language” and so forth. The way things go down is also reminiscent of the symbolic stories told on the prophetic murals found at the Denver International Airport (read the article here) and the murals at the Bank of America (read the article here). Both of these pieces depict a period of great tribulation, destruction and oppression that is followed by the founding of a new world based on the elite’s principles.
On a more esoteric level, the movie equates America with Atlantis, an advanced civilization that was destroyed by a great flood. The survivors of ancient Atlantis, who are said to be the originators of the occult lore of secret societies, went on to perpetuate their knowledge across the world.
And while solar flares are said to be cause of the 2012 disaster, major floods are the cause of the Earth’s destruction. Through this symbolism, the movie appears to announce the end of the Age of Pisces and the coming of the Age of Aquarius.
There is therefore much more to 2012 than originally meets the eye. Unfortunately, as it is often the case in mass media, the messages being communicated are neither enlightening nor inspiring. Quite the contrary, the movie basically tells the story of gigantic conspiracy against the public, complete with cover-ups and murders. In the end, the elite saves its own ass and leaves billions of people to die. To top it off, this conspiracy is presented as the only viable solution to such a crisis. Is the public being prepared for a major crisis that will be resolved with the heralding of a New World Order? As the movie’s promotional poster clearly states: “We Were Warned”.
all this fjear pr0n is laughable.. they know we create the world around us,
even easier to create that world, when people are fearful
Peace
programming the masses with movies.
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Originally Posted by KEARNY ZZYZWICZ
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