You know what's funny about all this... A lot of you are willing to quote whatever source you like to make your point that this is not a Wu-Tang Clan album, or that I did some snake shit, or whatever. Yet none of you would quote the book Cyrus Bozorgmehr wrote and give our side of the story. Personally I don't care, well maybe a bit otherwise I wouldn't bring it up, but it's some funny shit. You'll quote U-God talking about this album not being a real Wu-Tang album, and then just a few hours ago Uyi is talking about it being one (
http://www.tmz.com/2018/03/06/wu-tan...me-in-shaolin/). You'll quote Masta Killa calling it a mixtape 3 years later, but you won't quote his original statement in the original Forbes piece which was an actual digital recording in which he expressed joy of being part of this "musical portrait". Go to Scluzay.com and hear both Ghostface and Raekwon talk about this as a Wu-Tang Clan album. No more, no less. Yet when two silly journalists from Bloomberg dangle a supposed 2 million dollar paycheck in front of two felons down on their luck, and two disgruntled managers, suddenly their opinions can constitute what a real Wu album is and what is not??? Better than RZA? Seriously?
And you might want to pull up an interview Masta Killa did with Peter Rosenberg. While Peter was playing Killa songs of his catalogue, they stumble upon Winter Warz. But it's not the version off Iron Man, but the version as used on Don't Be A Menace soundtrack. As you all know, that version starts with a different intro and Killa didn't recognize it, to which Peter asked (if my memory serves me right) something in the sphere of
"didn't you know where this song would end up at when you were recording it?". To which Killa said that back then they would just record music, and things would end up at wherever RZA wanted to. And this is how a lot of the early works were recorded, according to the Abbott himself. This is why
The Faster Blade and
Assassination Day ended up on Iron Man, despite Ghostface not being on them. This is why a bunch of tracks on
Beneath The Surface don't even have GZA on them. Does that make those albums fake Ghostface albums or fake GZA albums? The beats to
Shadowboxin' and
Ice Cream were made within a 2 hour span from one another. This was the organic approach that was taken back then when recording Wu music, no matter where it would end up at. You think
"One Blood Under W",
"In The Hood" and
"Radioactive" were songs recorded for
The W and
Iron Flag? Those were songs recorded for Masta Killa's album. Are they now fake Wu-Tang Clan songs? If the logic you want to apply to OUATIS is justified than you should apply it to these songs as well. But it's bullshit, because that's how shit gets made. Organic recording. And thank God for that. Because we all know how the actual
"hey be there at 3 tomorrow we're gonna record a Wu-Tang Clan album" approach has worked out for the last three Clan albums. You don't need my word for it, there's enough about it in the press. And this is why OUATIS sounds the way it sounds. Because there were no strings attached. Just pure organic recordings.
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