01. Smoke It
02. Put Em In Their Place
03. Stole Something (Feat. Lloyd Banks)
04. Creep (Feat. 50 Cent)
05. Speakin So Freely
06. Backstage Pass
07. Give It To Me (Feat. Young Buck)
08. Click Click (Feat. Tony Yayo)
09. Pearly Gates (Feat. 50 Cent)
10. Capital P, Capital H
11. Daydreamin'
12. The Infamous (Feat. 50 Cent)
13. In Love With The Moula
14. It's Alright (Feat. 50 Cent & Mary J. Blige)
Bonus Tracks
15. Have A Party (Feat. 50 Cent & Nate Dogg)
16. Outta Control (Remix) (Feat. 50 Cent)
I've been debating who was better over the past couple of years, D.P.G. or Mobb Deep. With this album it's gotta go to the Dogg Pound, Mobb Deep fell the fuck off. Everything about Blood Money is a mess.. it sounds like they just decided the hard part was over when they signed to 50. I'm not saying that this album is bad however, it's just messy and underachieving for Mobb Deep. I was pretty worried when i saw that Havoc was only producing half the record, but maybe that's the best thing they could have done in the end - Hav's beats either sound uninspired (Smoke It, which is co-produced by Sha Money XL and Speakin' So Freely) or far too experimental for most people to appreciate (Creep).. however, Put Them In Their Place, Stole Something & Click Click are on par with Hav's best late-period work. Still, 3 out of 6 Hav beats are hot? What happened to the Hell On Earth days when he could produce an entire record? Beatwise, the rest of the record is either hit or miss, but only 1 or 2 beats really sound like the type Mobb would rock over though. The Infamous & Capital P, Capital H are both hot, but songs like Backstage Pass make me wish that producers still looped their shit.. the intro to that song would make a HOT beat.
Lyrically, this album just falls flat on its face. I'll be the first to admit that Mobb Deep were never (ever) the most lyrical rappers around, but they had their moments - Prodigy's verse on Drink The Pain Away, Havoc's half slurred flow on HoE.. all that made up for their limited subject matter. Here though, Prodigy can't even rap decently anymore. His flow is shot to shit, and Havoc's lyrical/flow improvement over the past few years disappears like it never even happened. I can't believe websites were hyping up P's verse on Capital P.. like it's some amazing return to form (wow, abbreviations with the letter P in them!). Their subject matter is just guns, girls and money except on maybe Pearly Gates, which somebody at G-Unit Records/Interscope decided to edit out anyway. That's pretty damn safe of 50. Speaking of 50 and the rest of G-Unit.. I don't like 50, and I like Banks & Buck, but their verses are completely forgettable. 50 appears on six tracks and manages to steal the spotlight on Creep & Pearly Gates even if he hasn't spit a verse like Hate It Or Love It since.. Hate It Or Love It, really.
Overall, terribly disappointing. I actually like the Tony Yayo album more, because I know he's not capable of making a good record and I don't have the same expectations. Mobb Deep just joined the ranks of old school NY'ers who just don't have the motivation to make good music anymore. I hope one day they listen to The Infamous and then Blood Money and realise just how far they've fallen from their own standards.
2.5/5
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