2nd Track by Track review
This review has been mentioned by a couple of posters but I didn't see a thread for it.
First Listen: Wu-Tang's '8 Diagrams'
November 19, 2007
The Staten Island collective make their disjointed return with more kung fu dedications and viciously funny rhymes.
Much controversy has circulated on Wu-Tang's forthcoming album 8 Diagrams, the group's first set since 2001's Iron Flag; from losing their indefatigable spirit ODB, a.k.a. Ol' Dirty Bastard, in 2004 to the recent licensing deal for the Beatles' "While My Guitar Gently Weeps" to rescheduling the record's original release date to accommodate Ghostface Killah's forthcoming LP, 8 Diagrams has been somewhat of a feat. De facto frontman RZA has also earned the wrath of both Raekwon and Ghostface for his alleged micromanaging and recent guitar-playing trysts.
Produced by RZA, the 14-track 8 Diagrams -- out Dec. 11 via SRC/Universal -- harbors the usual martial arts-inspired themes like on "Weak Spot" and "Rushing Elephants." Still procuring mostly antique beats and drab sounds, Diagrams is as much a revival as it is a throwback. Check out our notes from last Friday's listening session. RODNEY DUGUE
1. "Campfire" -- Sampling Curtis Mayfield's "Gypsy Woman," 8 Diagrams begins with an old kung-fu master preaching about kindness and justice, evidence of their long standing fixation with martial arts. Method Man's voice emerges rapping: "cruising on the interstate follow me while I innovate." He later adds: "I don't eat berries" except Halle [Berry]. Impossibly accurate it would seem.
2. "Take It Back" -- "Before you had a name / You were screaming Wu-Tang" is a great indication of what Wu-Tang means to Wu-Tang as a united group despite the recent divisiveness. Co-produced by Easy Mo Bee, the dusty sparse chills are pure nostalgia. The title doesn't disappoint, appropriately taking it back to antiquity.
3. "Get Them Out Ya Way Pa" -- Ghostface provides the chorus, "If he drunk and he runs his mouth then we stomping him out" and then the refrain ("Get them out Ya Pa"). The tough guy ethos feels a bit out of place, but fits well with the grungy brassy beat.
4. "Rushing Elephants" -- GZA talks about his "big booty cousin nasty Nadine" -- and then double-teaming her. Incest notwithstanding, it's a great track.
5. "Unpredictable" ft. Dexter Wiggle -- Inspectah Deck and Raekwon split the lyrical duties manhandling this spooky off-key instrumental. Lines like "we keep it fresh like tuberware" only rival "bitches ride like the scream machine." Complete chaos reigns on one of the best tracks on album.
6. "The Heart Gently Weeps" ft. Erykah Badu, Dhani Harrison, and John Frusciante -- Falsely billed as the first successful Beatles-sampling record of modern day, Ghostface makes most of the hype. Ghostface talks about taking his "bitch to Pathmark" then lamenting about getting his shoes dirty before realizing he's out of bullets. The sort of inscrutable oddball genius Ghost is famous for.
7. "Wolves" ft. George Clinton -- George Clinton paints some weird yet effective imagery of running in the forest a la Little Red Riding Hood. With a distinct western whistle in the background, U- God cements the song with his running verse and pertinent drink choice -- "the apple martini of course is stirred." Our early favorite.
8. "Gun Will Go" ft. Sunny Valentine -- Over these really articulate strings, Atlanta-based rapper Sunny Valentine sings an irresistibly charming hook about gun violence, remarkably. Raekwon spits an immeasurably deft verse, cautioning: "Y'all n**** be making shapes / Ours is art / Yours is trace."
9. "Sunlight" -- Executive producer RZA makes one of two rapping cameos, performing a paean to Allah on a stormy, indiscreet track. "Allah is the most gracious / He made the earth so spacious," he raps stoically.
10. "Stick Me for my Riches" ft. Gerald Alston -- The appropriate backlash for the rags-to-riches stories that dominates hip-hop these days. The hollow chute pistons ingratiate the track really well in spite of the tried theme.
11. "Starter" ft. Sunny Valentine and Tash Mahogany -- A nasty sports/porn allegory persists where the female in question is the "number one draft pick." Don't forget about the "human highlight," either. A really wet misogynistic track, naturally.
12. "Windmill" -- There's no formal chorus on here, just a disorganized lyrical exercise built on a guitar trapeze. "Nobody can't fuck with me I'm too nice / Smack a kid / On his head every time I'm right" stands the test of memory.
13. "Weak Spot" -- Inspired by a kung-fu theme, this stuffy track, courtesy of the chafe bass line, is a chest-pounding, good time harkening back to some of the Wu's older material.
14. "Life Changes" -- The heartfelt and emotionally sharp ODB eulogy that everyone chimes in on, accordingly. Raekwon pays his final respects, "My son gonna remember you / Rubbing a statue on his lap / That resemble you." An appropriate tribute? Yes, definitely.
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Originally Posted by Dominus Santorini
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