Lorenzo Senni talks about Nightmare in RomeClaudia Maddaluno
7 October 2025
We asked Lorenzo Senni to tell us about the meeting with CAM Sugar and their new project Nightmare in Rome, a comic with a soundtrack played by a band of the same name in which the producer revisits some soundtracks from the CAM catalogue in an electronic key.
The first chapter in 45 rpm will be released on November 7th and inside you will also find the voice of Ghostface Killah on a sample by Riz Ortolani.
It would seem like a dystopian future when Riz Ortolani and Ghostface Killah meet and instead it happens here and now, thanks to another fantastic meeting: that of Lorenzo Senni with CAM Sugar.
Tell us how this futuristic experience came about.
Let's say that Riz Ortolani and Ghostface Killah met in a Nightmare, the project Nightmare in Rome. While CAM Sugar and I met in Milan, in a context that would still seem very far from that described in the comic and addressed by our American guest but which instead already gives some worrying signals in that direction.
I think the most magical encounters are the most unexpected ones and as far as I'm concerned this is the case. I hope it will become so for listeners too.
This project got your hands on the immense CAM soundtrack catalogue. What was your approach?
I have never referred to a genre. The music from the CAM catalog that intrigued me the most and the one that showed me the most potential is the one from which I drew the material for Nightmare in Rome. Very instinctively I went through hundreds of tracks and slowly built a library.
I'm not a classic producer and I can barely produce the music I publish in my personal project like Lorenzo Senni.
The ’ approach here was almost solely dictated by enthusiasm for the sound material available to me.
Let's go back to Ancient Dirt (Etruscan Kills Again), track featuring the collaboration of Ghostface Killah on a sample by Riz Ortolani. What kind of vision guided you in the production of this song?
My idea has always been to have Ghostface Killah participate in the fundamental role of narrator. And’ he who introduces us to the world of Nightmare in Rome and I have to say that it has really outdone itself. It is not a given that someone instantly becomes passionate about a project and contributes in such a substantial way. Once we described the context and the story to him he produced the lyrics and then recorded his part. He has always been passionate about the idea and one day I hope to be able to thank him in person.
Name us your 3 favorite soundtracks and the ones you would like to work on in the near (dystopian) future
Terminator by Brad Fiedel, Mandy by Johan Johannson in which our Francesco Donadello (who mixed and mastered) also participates Ancient Dirt) and Stelvio Cipriani's Libidine. To name three that figure among the influences of Nightmare in Rome. I don't want to work directly on any soundtrack, I want to reinterpret them.
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